|
| |||||||
![]() | |||||||
|
In recent years, some of the early blues musicians have gained recognition. Others have languished in a state of neglect. They may be legends to blues fans and blues musicians, but to most music lovers their names are unfamiliar. You might even find some new faces in our gallery... | |||||||
|
| |||||||
| Memphis Minnie I Tampa Red I Blind Blake I Deborah Coleman I Roosevelt Sykes I Clifton Chenier | |||||||
|
| |||||||
|
"Barbecue Bob" Hicks, popular in the 1920's, played twelve string guitar. His slide style is evident on the" Atlanta Moan," recorded in 1930. Not well known today, Bob was active in the Atlanta, Georgia area. His work may be found on Yazoo L-1026 "Bottleneck Blues Guitar Classics"
|
![]() Barbecue Bob | ||||||
|
From the late 20's through the early 30's, Blind Blake recorded for Paramount Records. The revival of his music is probably due in part to his incredible guitar tecnique. Blake used a finger-picking style that relied heavily on a fast-paced alternating ragtime bass. He could switch from normal tempo to"double time" and back in a split second. Blake was even accompanied by rattlebones at times. |
| ||||||
|
Roosevelt Sykes (The Original Honeydripper) was born in Helena, Arkansas in 1906, then moved to St. Louis, Missouri when he was fifteen years old. He was influenced by the ragtime he heard there, as well as by his rural Arkansas blues roots. In 1929 he landed a recording contract in New York City. He also played and recorded in Chicago. After the decline of barrelhouse blues popularity, he moved to New Orleans. It was there that I was fortunate enough to meet him and hear him play. His powerful vocals and command of the piano were almost overshadowed by his easy, relaxed manner. |
| ||||||
|
Clifton Chenier was a professional Zydeco musician from the late 50's, until his recent death. A master of the accordian, he was born in rural Louisiana in 1925. His blend of French-influenced dance music is infectious. As in jugband music, Zydeco uses the washboard as a percussion instrument. If you've never heard Zydeco, now is the time to check out Chenier's "Monifique." |
Cleveland & Clifton Chenier | ||||||
|
Hudson Whittaker (Tampa Red) was another versatile manipulator of the National Steel guitar. His slide playing was often accompanied by the piano of Thomas A. Dorsey (Georgia Tom). Together they formed the vaudeville act known as "The Hocum Boys." In the early 30's Georgia Tom "got religion" and switched over to gospel. As a duo Red and Tom produced emotional blues as well as hilarious hocum. Here's part of one of their vaudeville lyrics: "I wouldn't have minded kissin' that cow, but the cow was going from me." |
![]() Tampa Red (Artist: Niel Harpe) Return to Top | ||||||
|
Living Blues magazine counted Deborah Coleman as one of the top blues artists under the age of forty. Singer, songwriter, and guitarist rolled into one, her unique style can be heard on "I Can't Lose" (Blind Pig Records). |
| ||||||
|
Memphis Minnie, another fine guitarist and singer, recorded much solo work. She can also be heard with her first husband, slide player Kansas Joe McCoy. Originally from Louisiana, Minnie joined other Southern musicians in Chicago, where she played electric guitar in clubs. Her second husband (also a fantastic slide guitarist) Casey Bill Weldon, is another musician who is little known today, in spite of his talent. Weldon and Minnie were both popular in the 30's, and her nearly three decades of recordings offer quite a bit of variety. |
Memphis Minnie Return to Top | ||||||
| Is your favorite musician missing? Probably! Just keep linking and you'll find more on the net. | |||||||
|
Return to Top |
Comments? Contact: info@a440.net | ||||||
| Home | |||||||
| copyright 2010 by Michael Redden | |||||||